Thursday, 8 November, 6 pm
MESH, Performance Part I
with Matthias Markstein and Isaac Spencer
Welcome with Matthias Löb (LWL-Director)
Talk "bauhaus 100 im westen"
with Milena Karabaic (Head of the Culture Department LVR) and Dr. Barbara Rüschoff-Parzinger (Head of the Culture Department LWL)
Talk with the State of North Rhine-Westphalia and other sponsors
Presentation: Dr. Hermann Arnhold, Director LWL-Museum für Kunst und Kultur
MESH, Performance Part II
with Matthias Markstein and Isaac Spencer
Introduction in the exhibition
Dr. Tanja Pirsig Marshall and Kristin Bartels (curators)
Opening with Dr. Hermann Arnhold (Director LWL-Museum für Kunst und Kultur)
Opening Party with DJ Klara Sound
9 November 2018 – 10 March 2019
Bauhaus and America. Experiments in Light and Movement
With the exhibition “Bauhaus and America. Experiments in Light and Movement” the LWL-Museum für Kunst und Kultur transcends borders. It intentionally focuses on artists who, after the Bauhaus was closed in 1933, emigrated to America to carry forward their ideas and experiments there. Starting with the Bauhaus stage as an interdisciplinary laboratory for experiments in light and movement, the diverse controversies in this field are examined for the first time. Ranging from light and kinetic art to experimental film and dance and performance art, this epoch-spanning exhibition shows the far-reaching influence of these interactions. As early as in the 1950s the ideas were having a reverse influence from America on Europe and are still reflected in contemporary art today. That is why the exhibition not only concentrates on the positions of the Bauhaus and its American successor institutions, but spans developments right up to the present.
Loans from major international museums, such as the J. Paul Getty Museum in Los Angeles, the Centre Pompidou in Paris, the Tate in London and many others, offer an insight into the experimental work of artists as different as Josef Albers, Barbara Morgan, John Cage, Lucinda Childs, László Moholy-Nagy, Robert Rauschenberg, Oskar Schlemmer, Julian Stanczak and James Turrell as well as Marcel Dzama, Barbara Kasten and Daria Martin.
One highlight of the exhibition is the display of a 2006 replica of the famous “Licht-Raum-Modulator” of László Moholy-Nagy and of the 1923 apparatus “Farbenlichtspiele” of Ludwig Hirschfeld-Mack, which, for the first time in many years, can be seen together in Germany again. With the reactivation of these light play devices, the museum enables a unique light-space experience. Moholy-Nagy's "Licht-Raum-Modulator" can be seen in action every day at 11 AM and 4 PM for 15 minutes.
The loans were made possible through the generous support of the foundation kunst³, the museum’s donors, and the Friends of the Museum für Kunst und Kultur, Inc.
Dance performance “MESH”
The impact of the Bauhaus stage on modern dance is also taken into account: The choreographers Matthias Markstein and Isaac Spencer, together with stage designer Nora Maria Bräuer, have created a performance that will be staged at the museum as part of the exhibition on eight separate occasions.
9-10 November 2018, each 5–6 PM
29-30 December 2018, each 5–6 PM
2-3 February 2019, each 4–5 PM
9-10 March 2019, each 4–5 PM
TanzTheaterMünster “Unknown Territories”
The museum cooperates on a supra-institutional level with TanzTheaterMünster. Under the direction of the choreographer Hans Henning Paar, the theater has developed the multidisciplinary evening „Unknown Territories,“ which brings the ideas of the Bauhaus into the present day and celebrates its premiere on 19 October 2018. For more information go to www.theater-muenster.com
Ludwig Hirschfeld-Mack, Farbenlichtspiele, 1923, Rekonstruktion 1999, Stiftung MUSEION. Museum für moderne und zeitgenössische Kunst Bozen, © Estate of Ludwig Hirschfeld-Mack
László Moholy-Nagy, Konstruktion AL6, 1933-1934, © IVAM - Institut Valencià d'Art Modern, Generalitat
Xanti Schawinsky, Spectodrama, 8: Gebäude (Spannung), 1937, © The Xanti Schawinsky Estate
György Kepes, Balance, 1942, Los Angeles County Museum of Art, The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, acquired from Carol Vernon and Robert Turbin, © Estate of György Kepes, Foto: Digital, © Museum Associates/ LACMA
Barbara Morgan, Merce Cunningham, Totem Ancestor, 1942, Bruce Silverstein Gallery, New York © Barbara and Willard Morgan Photographs and Papers, UCLA Library Special Collections, Courtesy Bruce Silverstein Gallery, New York, Foto: Bruce Silverstein Gallery, New York
Robert Rauschenberg/ Susan Weil, Blueprint, 1950, Ludwig Forum für Internationale Kunst Aachen, Leihgabe der Peter und Irene Ludwig Stiftung, © Robert Rauschenberg Foundation/VG Bild-Kunst, Bonn 2018, Susan Weil, Foto: Carl Brunn
Heinz Mack, Lichtrelief, 1965, Sammlung Van Abbemuseum, Eindhoven, © VG Bild-Kunst, Bonn 2018, Foto: Van Abbemuseum, Eindhoven
Richard Anuszkiewicz, Ohne Titel, 1965, Tate, London, © VG Bild-Kunst, Bonn 2018, Foto: Tate, London
Julian Stanczak, Red Cut-Out Fold, 1970, Collection Albright-Knox Art Gallery, Buffalo, New York, © the Estate of Julian Stanczak, Foto: Albright-Knox Art Gallery, Buffalo
Barbara Kasten, Photogenic Painting, Ohne Titel 75/31, 1975, © Barbara Kasten, Courtesy Kadel Willborn, Düsseldorf and Bortolami Gallery, New York
Marcel Dzama, Merry go round #2, 2011, Sammlung Monika Schnetkamp, Düsseldorf, © Marcel Dzama, 2018, Foto: Hendrik Reinert
An exhibition catalogue (in German or English) features texts by Hermann Arnhold, Kristin Bartels, Torsten Blume, Ulrike Gärtner, Andreas Hapkemeyer, Julie Jones, Gail Kirkpatrick, Marijke Lukowicz, Márton Orosz, Tanja Pirsig-Marshall, Jeannette Redensek, Eline Van Dijk published by Kerber Verlag, Bielefeld.
is a project of the Ministeriums für Kultur und Wissenschaft des Landes Nordrhein-Westfalen and the Landschaftsverbände Rheinland and Westfalen-Lippe.